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FEATURED ARTIST: Tammi Brazee

FEATURED ARTIST: Tammi Brazee

Tammi Brazee is a full-time professional artist who creates artwork in series that revolve around various concepts. For June 2023, her series, Tame Your Marmots, is on display at the Telluride Arts HQ West and was funded by a grant from the National Endowment for the Arts and Colorado Creative Industries. For this series, marmots are used as metaphors for self-deception and the unconscious biases and beliefs that drive our behavior.

We asked Tammi a few questions!

What is your chosen artistic medium?

Paint! I use both oil and acrylic but prefer the sensuality of oil paint. I work on stretched canvas and sometimes paper but am beginning to noodle around with digital painting. However, digital painting doesn’t hold the same pleasure for me as pushing and pulling real paint around a canvas so I use a digital medium more out of necessity than desire. Sculpture is also great fun. I enjoy modeling in clay, mold-making, and casting resin. Generally, I’m happy when creating in nearly any medium, and I hope this joy never leaves.

What are you reading/watching/or listening to? (feel free to pick one)

I always have a couple of books going at once, usually one of each, non-fiction and fiction. I’m currently working through Rudolf Arnheim’s Art and Visual Perception, which is about how we psychologically process visual information, and I just started Toni Morrison’s book, Sula. Her mastery of language, narrative, and descriptive finesse is incredible! She’s the literary equivalent of a master painter; she paints with words.

If you could have a conversation with one artist, alive or deceased, who would it be and why?

This is a strange choice for a painter, but I’d like to meet and chat with children’s book author and illustrator, Oliver Jeffers. He began his artistic career as a painter and continues to paint, but he’s best known for his wonderful picture books. They are funny, heartwarming, quirky, and thought-provoking, the kinds of books that adults like to read to their kids. I find it interesting that he’s managed to keep one foot in the Art World and the other in kid’s books and does so with agility and grace. My dog, Ollie, is named after Jeffers.

What is your favorite awkward growth moment or barrier-breaking time?

Ha, that question makes me simultaneously laugh and squirm! Grad school was both awkward and barrier-breaking for me. Weekly critiques by professors and visiting artists were a process of tearing down and rebuilding. It was a time of tremendous artistic growth but having a highly respected artist tell you that your artwork is terrible is extremely awkward! However, it forced me to re-invent myself and lean into failure and criticism. It was both painful and wonderful, and I’m deeply grateful for the amazing people that helped me grow.

What inspires you and/or keeps you engaged and moving forward?

I’m completely enamored with people and how wonderful and weird we are. I constantly poke at the question, “Why do we do that?” and then find ways to express this question visually. Since we humans are so interesting, I’ll never run out of material to explore. I’m not a psychologist because it’s far more interesting for me to ask questions via visual satire expressed through an artistic medium than to seek answers through monotonous research. If I were a psychologist, I’d be far better off financially but wouldn’t be having this much fun.

Tell us about your current and upcoming events, releases, or anticipated projects!

I’m currently re-organizing my business to produce steadier income through e-commerce by offering prints of original paintings and redesigning some of my prior work into graphics for t-shirts and greeting cards. I’m also learning to write and illustrate picture books (hence the desire to meet and chat with Oliver Jeffers).

As far as my next body of work/paintings, I’m not sure. The last year and a half have been extremely busy. I’ve had 4 solo exhibits in thirteen months and have produced a ridiculous amount of artwork in a very short period of time. I needed rest after this massive creative output and took a four-month break from painting. However, new ideas are beginning to surface, and I plan to start painting again in July, so stay tuned!

FEATURED ARTIST: BEN ENG

FEATURED ARTIST: BEN ENG

Ben Eng is a freelance photographer based full-time out of Telluride, CO since 2011 (part-time since 2004). As a graduate of Fort Lewis in nearby Durango with no formal photography training, Ben found his way in life through his camera and a passion for being on snow. Being a product of 90’s snowboarding and skateboarding has influenced the content of Ben’s art as well as the aesthetic. He says, “the intent of this collection is to simply show some of the local pros getting after it in our own backyard.”

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

Frank Kozik immediately comes to mind since he passed away the other day.

Which artistic media inspires you most?

Illustration and painting. Obviously I have seen a lot of photography in my life that fascinates me, but something about a person being able to conjure up what is in their brain with nothing but a pencil is pretty mind boggling. The more subversive and sardonic, the better; for that reason I have a thing for alot of the artists that were/are intertwined in the skateboarding and music worlds, particularly the ones who emerged in the 80's through mid 90's.

What is your favorite awkward growth moment or barrier-breaking time?

One time in the late 90's while skating, my friend Roger Seliner showed up at the skatepark in some flamboyant manner that I can't recall, but when I said to him something along the lines of "I don't get you," he responded "that's because you're a photographer, not an artist." That was a real punch in the face from an actual artist. So I started trying to understand him. It's been a lifetime project...

What inspires you and/or keeps you engaged and moving forward?

The threat of homelessness. Just kidding (kind of). Snowboarding (and the lifestyle/people) inspires me. Being out in the mountains with those that do it well inspires me to suffer the extra weight in my pack. Generally speaking, almost no one who makes a living as a photographer is an expert on photography, but more an expert on their subject. Would marine wildlife photographer Paul Nicklen have had the career he has if wasn't an actual marine biologist? Probably not.

Tell us about your upcoming events, new releases, or anticipated projects.

I currently have a snowboard/ski show at the Telluride Arts HQ Gallery West through the end of May 2023. Currently nothing concrete beyond that, just unsolidified ideas rattling around in my head.

FEATURED ARTIST: DALLAS LILLICH

FEATURED ARTIST: DALLAS LILLICH

Dallas Lillich is a creative director and filmmaker who arrived in Telluride from Brooklyn in June of 2020. A versatile editor across the commercial and avant-garde worlds, his experience with every step of video production, from inception through filming and finishing as a Flame artist, is sought after by national brands.  He is presently preoccupied with shooting high-concept films in Southwest Colorado. 

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

I’m not sure artists have much to say to each other, but in the interest of having a good time, I would choose Philip Roth. I would like to have witnessed his stand-up routines before they hit the page. Sabbath’s Theater is one of the wildest books I’ve ever read, so I’d start there.

Which artistic media inspires you most?

It’s probably an even split between literature, music, and painting. That’s what I love about working in film: all the art forms come together, and the effect is something other than the sum of its parts. 

What is your favorite awkward growth moment or barrier-breaking time?

I got a job photographing a VIP event at the White House Press Correspondents Dinner during the Obama era. There was a photobooth that printed out red carpet portraits. I thought it was a brilliant idea to make my holiday cards while we waited for the celebrities to arrive. I really went for it. 

Only when the event was well underway did I realize that the photos were also being projected onto a giant screen in random order. I had taken so many ridiculous portraits that the sequence was me, a celebrity, then me, and another celebrity ad infinitum. I figured this was unforgiveable, but the glitterati reacted enthusiastically, and the client was thrilled with the photos. I can’t think of a better example of “fake it ‘til you make it.”

Osama bin Laden was caught the next day, so it all got buried. 

What inspires you and/or keeps you engaged and moving forward?

The environment surrounding Telluride is a perpetual source of energy and fascination – locking into the feeling of the American Southwest fires my imagination. The drive to create imagery I’ve never seen before leads to jamming disparate ideas together until something new bubbles up. Watching it all come together is intoxicating!

Tell us about your upcoming events, new releases, or anticipated projects.

Elena Levin, Stash Wislocki and I recently started a film production company called Tiny Empire. We’ve just wrapped shooting a “Proof of Concept” film that we are confident will attract outdoor brands to work with us here in Telluride. We shot local talent who gave incredible performances, and the result is something gripping and unusual.

I’m equally excited about a character-driven short film idea in the early stages of gestation. 

Aside from that, I’ve spent a fair amount of 2023 trying to combine my love of country music with grunge to create something I’m calling “Crunge” music. 

FEATURED ARTIST: CARLY HODES

FEATURED ARTIST: CARLY HODES

Carly Hodes is a contemporary artist who works with paint, paper mache, ceramics, and text. They received their BA in Art Practice from Saint Mary’s College of California in 2022 and have been living and working in Telluride since. They have since been involved in Telluride Theatre and the Telluride AIDs Benefit, performing as an extension to their visual arts practice. Carly currently works as the head youth and teen instructor for visual arts at Ah Haa School for the Arts.

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

I would converse with Bread and Puppet Theatre’s co-founder and director Peter Schumann. The groups' puppetry-filled, politically-infused performances evoke personal and social reflection. I’d ask him about his philosophy surrounding his folk-inspired puppet works - specifically, I’d like to know how his unique visual language came to fruition and how its surrealist quality reflects the Theatres’ political and social focus. 

Which artistic media inspires you most?

My inspiration fluctuates depending on the media I am working with. If I’m focusing on painting, I look at paintings, mostly those of Philip Guston and Christina Quarles. If I’m making sculptures/puppets, I look at Schumann’s work or relics of Telluride Academy’s own Mudd Butts Mystery Theatre Troupe and the creations of artists Sally Davis, Kim Epifano, and Mike Stasiuk. This constant flow between different mediums offers flexibility in my making process and provides a constant stream of information to pull from. 

What is your favorite awkward growth moment or barrier-breaking time?

Breaking creative barriers occurs in activities outside of my personal art-making. My growth occurs in performance. The purpose of the performer is to embody and confront what hinders their full expression, and embodying this expression as a character transfers into life off of the stage. Though the performer themselves has acted within a world of fiction, it is the essence that they tapped into that the body latches onto as a catalyst for growth. This transformation, while taking place outside of one’s actual life (within the world of the stage), disperses into all aspects of the performers’ life — personal, artistic, spiritual, etc. — and creates more room for the artist to engage fully in their life and in their work. Personally, in my paintings, my mark-making and fictional characters aim to capture this essence conjured during the act of performance: my works are an embodiment of this moment of personal discovery within the human condition. 

What inspires you and/or keeps you engaged and moving forward?

Being in creative environments and engaging with fellow artists provides constant engagement. Exposure to media, specifically movies and television, further moves me to store information that I access in moments of creation. 

Tell us about your upcoming events, new releases, or anticipated projects.

I am planning on a pop-up soon for my recent painting and ceramics works and am planning the release of 3 new paintings and 5 ceramics pieces. I share information about other upcoming events and updates on my Instagram @hodesart. You can also visit my website, www.carlyhodes.work, to see my past works. 

FEATURED ARTIST: KELSEY TROTTIER

FEATURED ARTIST: KELSEY TROTTIER

Kelsey Trottier is a multimedia artist who primarily works in the realms of performing arts, video, installation art and spoken word. She graduated from Massachusetts College of Art and Design with a BFA in Interrelated Media. She has worked with a variety of dance companies from Boston to the Bay Area, in production/operations management with several film festivals, and has also worked in experiential and outdoor education. She currently directs the Telluride Dance Collective, is the program coordinator for Palm Arts Dance, and is an ensemble member of Telluride Theatre. When she is not working as an arts administrator, teaching dance classes, performing or directing a show, you can also find her ski instructing on the mountain. 

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

Anna Halprin. She was a dancer and choreographer that played a major role in postmodern dance as well as developing dance as a healing art. Her work has been a big inspiration for me. I would love to listen to her personal life stories of the path she paved. I wish I could spend time with her and listen to her perspective of what it was like to live through the century of immense change that she experienced.

Which artistic media inspires you most?

This is a tough one because inspiration comes to me in so many ways and through different forms. I would have to say music, dance, theatre, spoken word, poetry, and books bring me the most inspiration – not necessarily in that order.

What is your favorite awkward growth moment or barrier-breaking time?

So many of those moments fell between the time period of me uprooting my life to San Francisco after having built a strong network in Boston, and all the ups and downs that come with reinventing yourself. And then from there, coming to Telluride and settling into this little snow globe town that has such a strong creative community. All these barrier-breaking moments melded together and created the moment I’m in now.

What inspires you and/or keeps you engaged and moving forward?

What keeps me moving forward is my need to process the human experience. I’m not sure how I could live in this crazy world if I didn’t have creative outlets to channel through and process life.

Tell us about your upcoming events, new releases, or anticipated projects.

It has been a busy winter of creative endeavors. My latest event involved co-directing and choreographing 'Sustenance'- a collaborative show with Telluride Chamber Music and Telluride Dance Collective-that took place at the Palm at the end of January. The show went really well and was a natural collaboration bringing musicians and dancers in the community together. I'm excited because it has sparked a new project I have in the works now. I am working with Travis Fisher and some of my high school student dancers on an experimental piece. Travis is accompanying (on piano) a class that I teach and he improvising a score of music as my students learn new choreography I have been working on for them. It has been a fun platform to play with. This new work will be showcased at the end of March at the Palm. I also have some fun performances coming up in March including Gay Ski Week and Telluride Theatre’s Burlesque. Once I get through ski season I will start working on a short film series that will premier later this year in October at Mass Movement (TDC's annual performance on the Palm main stage).

FEATURED ARTIST: DONAVAN DAILEY

FEATURED ARTIST: DONAVAN DAILEY

Guitarist Donavan Dailey is an innovative classical/jazz guitarist, composer, arranger and teacher. He has carved out an interesting niche for a nylon string guitarist. As a classical guitarist, Donavan holds a degree in Classical Guitar Performance from Middle Tennessee State University. He has studied under Dr. William Yelverton and Roger Hudson and has performed in master classes with Anna Vidivich, William Kanengaiser and Jason Viuex. Over recent years he has pursued his passion for teaching by starting Telluride Music School. Donavan can be found teaching and performing regularly in the Telluride area.

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

Andrés Segovia because he changed the destiny of the Classical Guitar. I would like to thank him for that.

Which artistic media inspires you most?

Currently...light and crystals particularly light shining through crystals. I think there's endless beauty there.

What is your favorite awkward growth moment or barrier-breaking time?

Nothing really comes to mind right now. Well, I'm sure there were very distinct formative moments in my evolution. It's really been pretty gradual and even keel.

What inspires you and/or keeps you engaged and moving forward?

Inspired, forward moving, engaged, I do have brief glimpses of these qualities in my life. The more they happen the better. For me, I think it's reflecting upon, and looking at the deeper life goals that I came to in my youth when I remember promises I made to myself early on. For example, you're young right now, you have your whole life ahead of you. Maybe you should commit to learning something, mastering something, striving for perfection at something. I really wanted to understand music and perfect the craft of wielding a fine instrument.

Tell us about your upcoming events, new releases, or anticipated projects.

I'll be playing the Telluride Chamber Music happy hour at the Telluride Arts HQ Gallery on Main Street. I'm pretty excited to unleash a four original Jazz tunes. My friend and duo partner Dan Dallesandro will be joining me on the saxophone for half of the concert. On January 29, I'll be joining the Sustenance concert for Telluride Chamber Music. Joining me on that and I'll be playing a Flamenco piece by Paco de Lucía called “Mediterranean Sundance.” I have Danny DAlessandro on Sax, Danny, Desantis on Violin and Dr. David Homer on bass.

I’m also gearing up for a music video with my violinist, Annie Foxen for my duo. I will also be shooting a video with my jazz trio in the spring and gearing up for a great summer of live music and beautiful gigs and beautiful places.

FEATURED ARTIST: TARA CARTER

FEATURED ARTIST: TARA CARTER

Tara is a ceramic artist living in Telluride, CO. Originally from Columbus, Ohio, she earned both her Bachelor of Arts in Ceramics and her Master of Business Administration from Otterbein University. Since graduating in 2011, Tara has been teaching ceramics classes, developing her own work by attending a variety of workshops, and exhibiting her wares. Currently, Tara works full-time at the Ah Haa School for the Arts as the Ceramics Program Director and manages a pottery co-operative, the Wheel House. She fills her spare time making pottery and bird sculptures while enjoying the mountains of Telluride.

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

I would love to pick Judy Chicago's brain. As a female ceramic artist, The Dinner Party had a huge impact on me during my undergraduate studies. I imagine she has some entertaining stories about how this feminist masterpiece was received at the time.

Which artistic media inspires you most?

Ceramics inspires me most because of the give and take involved. This medium forces you respond and let the material itself have a heavy influence on the form and finish of each piece. At a certain point, you have to give your work up to the kilns and accept whatever happens during the firing. The lack of control can be humbling or rewarding and constantly pushes you to accept, learn, and grow.

What is your favorite awkward growth moment or barrier-breaking time?

The marbled pottery I've been developing came about by accident! I was experimenting with some different materials around the Ah Haa ceramics studio and decided to add mason stains to clay. I had been playing with pinch pots after doing about a thousand demos during the previous summer's kids camps and thought the stains would add some depth. They looked pretty awful after the first kiln firing, so the unfinished pots ended up sitting on a shelf for months. I only added a clear glaze to fill up a glaze kiln for student work and was pleasantly shocked to see how they turned out. 

What inspires you and/or keeps you engaged and moving forward?

The mental health benefits involved with creating art keeps me engaged. Whether it's sculpting a bird I saw while on lift 9 or pinching a pot during my lunch break, finding ways to keep my hands in clay keeps me happy and moving forward.

Tell us about your upcoming events, new releases, or anticipated projects.

The best way to stay in touch and find out about upcoming exhibitions and projects is to follow me on Instagram @youpinchityoupotit. You can also check out my website at taracarterceramics.com

FEATURED ARTIST: EMMA KALFF

FEATURED ARTIST: EMMA KALFF

What is your chosen artistic medium?

Oil paint! I worked on canvas for years until I recently realized I like wood a lot better, so now I work on wood panel. I cut a larger piece down to the size I want, sand the edges, and prepare it with several layers of gesso.

What and Who are your muses?

Oh gosh there are so many. Definitely all the people I’m so lucky to have in my life who are loving and true, who always shoot from the heart and don’t take themselves too seriously. And my mentor and painting teacher, Auseklis Ozols. I studied under him at the New Orleans Academy of Fine Arts and he really changed my life. I will always be grateful to have been able to receive a rich education from such a formidable person.

What are your prep or practice rituals to get you into the artistic headspace?

I listen to a lot of trance music. On a good day I’ll get into this groove where I’m lost in a painting for hours – it feels kind of like if you’ve ever just completely let go in a bar or something and danced all night without a care.

What is your favorite awkward growth moment or barrier breaking time?

I used to live in New Orleans, and I sold my art in the French Quarter. New Orleans is so special that way – if you have a license you can show up any day of the year, hang your art on this huge fence in the French Quarter, and sell it.

I was about 21 and I started going out there whenever I wasn’t working at one of my side jobs. I was so bad at it. I made maybe 20 bucks a week. I remember watching the other artists really making a living out there and feeling like they had some secret, that they’d figured something out and I hadn’t. At the time I was sort of miserable about it but looking back, I learned so much from all those hours of observing the other artists – about consistency and how hard the world can be, about the precious reality that failure is really a gift.

What is your favorite quote or saying?

Nulla dies sine linea!

Tell us about your upcoming events, new releases or anticipated projects?

I have an upcoming feature in the November issue of American Art Collector magazine that I’m really excited about. I’m also transitioning into working full-time as an artist. I’m producing a lot of new work right now. Starting November 1st I will be taking commissions for the holidays as well. My website is www.emmakalff.com.

FEATURED ARTIST: JUDY HAAS

FEATURED ARTIST: JUDY HAAS

Born and raised in Aspen, Colorado, Judy Haas moved to Telluride in 2006. She has been a professional artist since 1985, and is well known in the fly-fishing world for her trout paintings. She has worked in many mediums throughout the years including pastels, ceramics, digital imagery, photography and collaborative poster art.

We asked Judy some questions…

What are your muses?

I am a self-taught artist. I am inspired by numerous artists from different eras, some known and many unknown. I spent hours in the libraries studying books and biographies of artists throughout the years.

What are your prep or practice rituals to get you into the artistic headspace?

An inspirational walk in nature begins my day. Throughout the many hours of a day while I am working I like listening to audible books and music.

What inspires you and/or keeps you engaged and moving forward?

I am inspired with the work of other artists in all mediums. I am motivated by anyone who has put their in “10,000 hours” to become a master of their chosen profession. I am encouraged to be better at my artistic expressions through experiencing the quality workmanship and imagination of people all around.

What is your favorite quote or saying?

I feel there is nothing more truly artistic than to love people.” Van Gogh

I have so many favorite quotes!

Tell us about what’s next:

I opened a gallery in 2021. I am happily engaged with commissions and new work. I want to teach a few dedicated people to assist with my work so I can develop ideas for new mediums and for exhibitions in the future.

Stay tuned with Judy’s work and updates on her website, or follow her on Instagram & Facebook @JudyHaasArt

FEATURED ARTIST: LEAH HEIDENREICH

FEATURED ARTIST: LEAH HEIDENREICH

My name is Leah Heidenreich - I am the artistic director of The Sheridan Arts Foundation's Young People's Theater, where I produce theater year round with children from preschool through high school.

What is your chosen artistic medium?

My chosen medium is performance art. As a performer, I am a musician first, an actor second, and a dancer very last.. lol. As an educator, my chosen medium is all things performance art. I direct, music direct, choreograph, and produce full-scale shows for the kids. It is truly a dream come true that I get to call this my job - I can honestly say that I look forward to Mondays.

What and Who are your muses?

I have many muses, including the incredible kids I create art with. It blows me away that I am at the helm of a program that is non-competitive, non-audition based, and it always culminates into such a beautiful show. That speaks volumes about the passion the kids in my program hold. Of course, I have a few other muses including Barbra Streisand, Stephen Sondheim, Mariah Carey, Bernadette Peters, and Diana Damrau. I mean- can you call yourself a "theatre person" if you are constantly inspired by those folks?

What are your prep or practice rituals to get you into the artistic headspace?

This may sound tacky, but I feel like I'm always in an artistic headspace. I am constantly staging scenes and musicals in my head, I am never not singing and dreaming about how to help the next group of kids flourish to their absolute prime, and during my free time, I am almost always working on different aspects of my next production. I'm about as right-brained as they come, sometimes to a fault. My ultimate relaxation is karaoke in my living room with my husband. Lol.

What is your favorite awkward growth moment or barrier breaking time?

In my job, there is nothing cooler than seeing the kids let go of all self-conscious thoughts and take big risks on the stage. Sometimes they fall on their face, sometimes they discover something within themselves that they didn't know existed - but when every young thespian takes that inevitable leap, it's incredible to see how much light comes out of these young people.

What inspires you and/or keeps you engaged and moving forward?

It's all about the kids, and helping them discover a love for something as powerful as performance art. I can look back into my own 34 years on earth and see how music and theater have completely shaped me into the person I am today, and to get to help a kid love this medium the way I do, and to then watch them go into the world with that love is incredible.

What is your favorite quote or saying?

"I came to Hollywood without having my nose fixed, my teeth capped, or my name changed. That is very gratifying to me." - Barbra Streisand

That may seem like a silly quote to love but it's so reflective of what every artist dreams of- being held to a certain standard because of their talent and passion, not because of their conformity to what our society continually pushes on us in order to call ourselves a success. I try to instill that in YPT's kids, too.

Tell us about what’s next:

Next year's season for YPT includes "Beauty & The Beast," "Chicago," and "Peter Pan."

FEATURED ARTIST: REGINA LIBERTINA CIARFELLA

FEATURED ARTIST: REGINA LIBERTINA CIARFELLA

My work as a self-taught artist began in Hood River, Oregon, after grad school in San Francisco; majoring in English-Linguistics and teaching. I was on my way to Colorado. In Hood River I got to be part of the pioneer art scene. I started a co-op gallery with local artists featuring FUNctional art. Then I opened the Red Fish Gallery and after that The Red Fish Art Cafe, where I let my culinary creative art take over.

I always juggled different works, and was able to pay some bills as an artist; mostly as a muralist, commercial and private - large scale, sides of buildings, restaurants, kid's rooms, floor canvases, historic wall and ceiling art, specialty finishes, custom stencils, etc.

It took awhile, and a few more detours, but I made it to Colorado! I’ve been in the Telluride area mostly massaging and some arting and lots of playing for 11 years.

What is your chosen artistic medium?

My chosen artistic mediums are anything that inspires. The artistic mediums that I have exchanged cash money for are mostly painting and metal and design work.

What are your muses?

The human process, Honey bees, my massage work, everything and everywhere I love.

My deep connection to honey bees began when I had a sweet historic farm with pear and apple orchards. In my efforts to be an agripreneur, I jumped the hoops of organic status, to then find out the county used round up road side, with no plans to change. Then there were no pears. My heart broke. I was rudely awakened to colony collapse disorder and all it’s heart breaking life killing repercussions.

I painted my heart out for those honey bees. There was a successful art show with awareness and proceeds to the honey bees. Then everything changed. As it was meant to.. I turned my focus on my massage work. Over the past 15 years, my massage work has deepened into another powerful muse. I feel that I have been living in the creative process, despite taking a rest from painting. The human body and process are overwhelmingly beauty full, pain full, and magic full.

What are your prep or practice rituals to get you into the artistic head space?

Percolating ideas, sketching chalk on black canvas, making time, light, and music I feel....

What is your favorite awkward growth moment or barrier breaking time?

The sad lonely Christmas eve final closing of the Red Fish Art Gallery, a woman came in from the stormy night. Drawn to my work, I told her the story, in 3rd person, of the little pear hanging out on a limb (I am still awkward selling my own art). She chose to buy the painting. I processed her card, read her name, and smiled, feeling a warm fuzzy hug from the universe: 'Out on a Limb' was purchased by Faith.

What inspires you?

Life, the human process, healing, and love, and faith.

What is your favorite quote or saying?

Go fast, take chances! (cause it's fun and I'm a bit of an adrenaline junkie)

Tell us about what’s next:

The ReBirth project will be 11 paintings; 4 finished, 7 in process. The paintings will be hung as they are ready, with September as the finish goal. I've got buckets of horse shoes ready to be welded, a mural in Ridgway, my home massage office and art space 'The Bee Well Hive' is in perpetual creative process...

FEATURED ARTIST: MARTY WOLLESEN

FEATURED ARTIST: MARTY WOLLESEN

Martin (Marty) Wollesen is a believer in the power of imagination and that creativity is core to the human spirit. A life-long learner, he brings over 25 years of innovative leadership in the arts and arts education having lead several multi-disciplinary performing arts organizations through significant expansion. As the Executive Director of Ah Haa School for the Arts, his wide-ranging curiosity and commitment to community engagement creates experiences for everyone to learn something new and share something meaningful about themselves. Marty has lived in New Mexico, Washington DC, California, Singapore, Philippines, Egypt, Portugal.

WE ASKED MARTY A FEW QUESTIONS…

IF YOU COULD HAVE A CONVERSATION WITH ONE ARTIST, ALIVE OR DECEASED, WHO WOULD IT BE AND WHY?

My grandmother whom I have never met. Her name was Rose Thorne. She was a poet, painter and composer who raised six children in the dust bowl during the depression. In her letters that I've read, it was clear she was a soul who was constantly searching, questioning, curious and restless...all things that were not valued in women then. I think she was not understood by people around her, especially her own family. I'd want to be there for her to listen, to engage in conversation, to let her know that her love of art and creativity lived on in her family, and finally that she had created visibility for those who needed to see what is possible.

WHICH ARTISTIC MEDIA INSPIRES YOU MOST?

Actually, I have always been engaged in multi-disciplinary art forms. I am an explorer by nature and so I like to try lots of things. I am inspired by the very process of learning, testing and responding. Recently I have engaged in writing, ceramics, jewelry making and bookbinding. All very different in the use of tools, creative imagining and techniques. What I love about it all is how it challenges and stimulates a different part of my thinking and physical ability. But I also love seeing how other people create and imagine. There is great pleasure for me reading, watching contemporary dance, films and listening to music of all kinds.

WHAT IS YOUR FAVORITE AWKWARD GROWTH MOMENT OR BARRIER-BREAKING TIME?

There are always the awkward teen years, but I'm not sure that is my favorite. I certainly would not go back! I have lived in many places, and I really love the barrier-breaking experience of moving to a new environment with its specific cultures, histories and common practices. Every move I make I learn more about myself and my capacity for adaptation and resilience. Moving to Telluride a little over a year ago from Washington, DC has certainly been one of those opportunities to discover, explore and create anew. It is such a joy to be here in such a creative community.

WHAT INSPIRES YOU AND/OR KEEPS YOU ENGAGED AND MOVING FORWARD?

Creative people, new ideas, generosity, curiosity, sharing of perspectives, laughter, surprise. In short, artists.

TELL US ABOUT YOUR UPCOMING EVENTS, NEW RELEASES, OR ANTICIPATED PROJECTS?

This is Ah Haa School for the Arts' first full summer in our new home. We love it!! And we are introducing a new community art experience, the Ah Haa HAHA (July 15-17, 2022) as part of our fundraising initiative to support increased access and opportunity for people of all ages to experience high quality art experiences at affordable prices. You will experience vibrant, interactive art installations throughout our school, have access to purchase one-of-kind art and party with friends, neighbors and visitors on our Sky Deck. Of course, all year round we offer workshops and classes in a huge variety of art forms for kiddos, teens and adults. There is always something fun going on.

ANY OTHER DETAILS YOU WOULD LIKE TO SHARE?

I like ice cream.

SEE WHAT’S NEXT WITH MARTY AND THE AH HAA SCHOOL FOR THE ARTS - STAY TUNED AT AHHAA.ORG.

FEATURED ARTIST: BECCA WOLFF

FEATURED ARTIST: BECCA WOLFF

Becca Wolff is a California-based director of theater & film. Her work has been seen at theaters across the country including ACT San Francisco, The Public, Theatreworks and Long Wharf. Her films have screened at festivals including Comic Con, the Brooklyn International Film Festival and Outfest. She is co-founder and artistic director of SCOTUS Theater. MFA Yale School of Drama. Member SDC.

Get tickets for Shakespeare in the Park, “All’s Well That Ends Well”, directed by Becca!

What is your chosen artistic medium?

Theater

Who/What/When are your muses?

The small towns I grew up in (Mancos, CO & Felton, CA.)

Art by artists that cross lines between the imaginary and the documentary & mythological: Agnes Varda, Charles Burnett, Lonnie Holly, Lucas Hnath, Reza Abdoh

Teen movies

The 90s

Hannah Arendt

What are your prep or practice rituals to get you into the artistic headspace?

Reading and studying text -- the text I'm working on of course, but also locating a section of the library with relevant subject matter and just scanning the shelves til I find something a book that sounds or vibrates like what I'm looking for. Sitting in the stacks and opening to random pages. Making discoveries and noting them in longhand or by taking photographs on my phone.

What is your favorite awkward growth moment or barrier-breaking time?

When the set for a production I directed got lost on its way to its NYC premier, and the producer asked me "what do you want to do?"

What inspires you and/or keeps you engaged and moving forward?

The audience! I was so especially excited to come to Telluride because of what I know about Telluride Theater's connection to its audience. The idea that artists here encounter people around town who want to talk to you about your work is incredibly moving and inspiring. I live by those times when the people who come to see the show really want to engage about what it said to them.

What is your favorite quote or saying?

"What makes the engine run? Desire, desire, desire." -Stanley Kunitz

Tell us about your upcoming events, new releases, or anticipated projects:

We are anticipating that OUR COUNTRY at the 2023 Under the Radar Festival at the Public Theater in NYC (costumes by Telluride Theatre's own Melissa Trn!) We were featured in the festival in 2022, but it got cancelled due to the first Omicron surge.

Any other details you would like to share?

www.beccawolff.net IG:@beccathewolff

FEATURED ARTIST: CLAYBROOK PENN

FEATURED ARTIST: CLAYBROOK PENN

Claybrook Penn moved to Telluride in 2004 and has been playing music in the Telluride vicinity long enough to not remember what exact year she got her start. A multi-instrumentalist and occasional songwriter, Claybrook currently plays in at least 6 local bands and delights in mixing up disciplines and genres within this small-but-mighty local music scene. In 2013, Claybrook received a Small Grant from Telluride Arts District to record and produce an album of original music, Fossil, released in 2014.

What is your chosen artistic medium?

I sing, I play acoustic and electric guitars, and I play drums. I also host Bootsie's Boombox, a bi-weekly funk and R&B show on KOTO radio.

What are your muses?

I'm deeply inspired by experiences in nature, and by the people I have known and observed throughout my life, from Southern grannies to Telluride woodsies.

What are your prep or practice rituals to get you into the artistic headspace?

I need a lot of quiet time both before and after performances, so I'm mostly found hanging out with my dog and cat at home. When I'm listening to music, I'm always listening for ideas and phrases to incorporate into my own performances.

What is your favorite awkward growth moment or barrier breaking time?

Gathering all my self-trust, dispelling doubt, and taking a new job working full-time at KOTO Community Radio in order to more fully immerse myself and take a more active, participatory role in the music community here in Telluride.

What inspires you and/or keeps you engaged and moving forward?

Meeting and playing with other musicians, whether it's my long-time musical partners or folks who are new to town and looking to jam. I love to find out what inspires other musicians, or what they're listening to, and getting to know those people by exploring their specific interests and backgrounds.

What is your favorite quote or saying?

"Mom, I am a rich man." - Cher

Tell us about your upcoming events, new releases, or anticipated projects:

Catch me this summer playing guitar and singing in my duo project with Tom Nading, grooving with original band Atari Safari, keeping the beat in Disco Fuego, and rocking out with Chrome Velvet!

Any other details you would like to share?

Keep Telluride live and loud by supporting live music and performing arts in our community!

FEATURED ARTIST: MATT HOISCH

FEATURED ARTIST: MATT HOISCH

Matt Hoisch is half of the news team at KOTO and a frequent participant in many Telluride Theatre productions. He also tries to do a bit of writing when he can. Beyond Telluride, his radio work has also been featured on NPR stations in Los Angeles and Boston as well as the nationally-broadcast radio shows Marketplace, The World, and Living on Earth. He came to Telluride just before the pandemic and is beyond grateful the universe led him to this quirky box canyon.

Telluride Arts asked Matt a few questions…


What is your chosen artistic medium?

I'm primarily an audio producer and actor, but the two often intersect. One of my favorite parts of radio journalism is how theatrical it is and the different ways you can tell a story through sound. 


Who + What are your muses?

The #1 inspiration will always be the musical theatre composer Stephen Sondheim. But I also have to say the Telluride region and my time in this place has had a massive impact on my philosophy of what I want from my life, and that can't help but translate into how I approach my creative pursuits!


What are your prep or practice rituals to get you into the artistic headspace?

Good music, a good night's sleep, a nice shower, and plenty of coffee. Plus maybe a bit of light stretching.


What is your favorite awkward growth moment or barrier breaking time?

In college I was set to direct an original jukebox musical adaptation of Shakespeare's Julius Caesar that I had put together and literally backed out the day of the first rehearsal. I had never directed a full production before—let alone an original musical—and was getting more and more nervous and overwhelmed as the process approached. I basically cancelled the show after we had cast it and assembled the full creative team. That was probably one of the hardest, and frankly most shameful, artistic decisions I've ever made. It was hands down an awkward gowth moment, and I thought a lot about it in the months after. I think I felt like I needed to have most of the show figured out before we even started—which I now know I didn't! Since then, I've worked hard to become more comfortable living in the uncertainty inherent in anything creative.


What inspires you and/or keeps you engaged and moving forward?

Whenever I make something that's meaningful to me and I hear from someone else that it was also meaningful or impactul to them, that's all you could ever ask for as an artist. It doesn't happen often, but when it does, it's a heck of a feeling.


What is your favorite quote or saying?

"The notes I handle no better than many pianists. But the pauses between the notes ah, that is where the art resides." — Artur Schnabel


Tell us about what’s next:

Máire Higgins and I are putting together a lightly-staged reading of a play called Lungs that's about whether or not to have children in the 21st century. We're aiming to put that up in early June. I'm also hoping to work on All's Well that Ends Well for Shakespeare in the Park this summer. And I'm constantly making work for KOTO News, so tune in weeknights at 6pm!

FEATURED ARTIST: EVAN ROSDAHL

FEATURED ARTIST: EVAN ROSDAHL

My name is Evan Rosdahl and I started my small jewelry business Top Knot Concepts in Chicago in August of 2014. I have been residing and working in Telluride now for the past 4 years and travel to gem shows and festivals to share my creations. I accepted my fate as a starving artist at an early age. Since high school I have worked in the food service industry to fund my artistic endeavors and keep me fed until I finally registered my business and have been a full time creator for the past two years.

What is your chosen artistic medium?

I specialize in making a variety of jewelry out of fine metals, precious gems, and minerals. Everything from pendants, to rings, bracelets, and more. My main focus is high end silver wire wrap jewelry. At the beginning of the pandemic I had to adapt and began making electroformed jewelry (fancy word for copper plating) which allows me to incorporate natural and ethically found materials like an acorn husks or butterfly wings and turn it into jewelry, as well as chainmail bracelets & chains to cope with the world being on a tighter budget.

Who + What are your muses?

First and foremost my Muse is my amazing partner Krissy who has a collection of pieces dedicated to her inspiration. 

Much of my design inspiration comes from my fascination with the small details of the natural world and my obsession with the complexity of sacred geometry. Also tying my ancestral roots I incorporate Norse & Celtic knot work, imagery, & lore into the majority of my work. I absolutely have to give a nod to the infamous work of Carl Faberge because I draw a lot of inspiration from his approach to crafting masterpieces.

What are your prep or practice rituals to get you into the artistic headspace?

I love the design process of jewelry so I spend a lot of time sketching designs and putting together aesthetic stone combinations, which has drastically improved the paper to final product process of my creations. However I tend to find my artistic motivation comes from being in the process rather than getting myself into the headspace before beginning.

What is your favorite awkward growth moment or barrier breaking time?

I think my favorite awkward growth moment was the first time I attended the Tucson Gem & Mineral Show. I had been making jewelry for a little more than two years and heard about a music festival called Gem & Jam in Tucson, AZ that had a big focus on gems and jewelry. Growing up with metal heads for parents I was more interested in the theme than the music, but knew it would symbolize my commitment to the craft. So I headed off to the desert, alone, with a pocket full of money, to spend all of it on rocks. After meeting a few of the fellow jewelers I looked up to and buying a bunch of stones on the festival grounds, I discovered the real treasure of this adventure which I was previously unaware of. The entire city of Tucson gets taken over for a month with gem, jewelry, fossil, & art dealers from every corner of the world! Fast forward five and a half years later, my mind is a gemstone dictionary and I’ve never been more obsessed with every facet of the gem & jewelry world.

What inspires you and/or keeps you engaged and moving forward?

I pull inspiration from everything around me and all that I do, but what keeps me engaged and moving forward is the drive to bring people a truly artisan heirloom that has a story. My ultimate goal is to be able to ethically mine my own gems, cut them to my desired shapes & sizes, and set them into a unique piece of jewelry that you can trace every piece of material back to the source, either direct from me or other artisanal miners & artists around the world. Being able to share that knowledge and experience with others is what drives me!  

What is your favorite quote or saying?

“It’s not normal to be normal.”

My Visual Perspective Professor (don’t remember his name)

Tell us about your upcoming events, new releases, or anticipated projects:

I am going to be kicking it into overdrive this year as I intend on doing a lot of extensive mining and rockhounding, creating a lot of my crowd favorite wire wrap designs, and will be making the transition from wire wraps to fabricated jewelry. As well as extending my home studio so I can start doing Lapidary work (stone cutting) as well!

Follow Evan and Top Knot Concepts…

www.topknotconcepts.com

www.facebook.com/topknotconcepts

www.facebook.com/evanrosdahl

www.instagram.com/topknotconcepts

FEATURED ARTIST: EUNIKA ROGERS

FEATURED ARTIST: EUNIKA ROGERS

Tell us about yourself…

My name is Eunika and I paint with clay ... and now other natural materials. I collect and forage for these on my hikes and travels - it is part of my life and creative process. Painting with clay is a technique I created while in graduate school getting my MFA in ceramics and mixed media. I was digging and using red clay and noticed that it was staining my clothes. I just took it from there and added other colored clays to my palette.

I was born and raised in Eastern Europe and has lived in Memphis / Mississippi for most of my life. I've been a graphic designer, graphic design professor and now a full time artist and Telluride resident.

What is your chosen artistic medium?

Clay - I dig it up on my travels and hikes. This is mine main medium that started my painting process. The medium is expanding to include, mushrooms, flowers and wine - natural pigments. Calling it 'Terroir Painting'.

What are your muses?

I am inspired by changes in time and how they affect us/me. I am inspired by nature and its processes as well as how it relates to me and makes me feel. Painting with clay gives me the ability to feel closer to it, to feel connected to it on a universal level.

What are your prep or practice rituals to get you into the artistic headspace?

Part of my creative process is getting my medium, which involoves a hike or some adventure. There is time - lots of quiet time that allows me to think and observe to see what moves me. I take mental notes and then plan it out. A lot of time is spent just on the planning of the next piece. Once in progress its just finding a good chunk of time to dive into the painting with my mud and good playlist.

What is your favorite barrier breaking time?

For most of my painting 'career' - my painting was a secret. Only few people knew what I was doing. I kept my paintings in storage out of the public eye with few exceptions. My paintings are sort of personal documentation and observation. Then I opened up Red Dirt Studio Gallery. It is a bit terrifying to have it all out for people to see and ask me questions about it. I am a quiet type - I feel like my work should speak for itself. There is obviously depth to it - it's personal.

What inspires you and keeps you engaged and moving forward?

I like creative challenges and new ways to interpret the world and how I see it. There are questions; where I come from and where I am going. I turn to nature to help me understand them and connect the missing pieces many of which were left behind in my native country of Slovakia and Karpethian Mountains where I was born and raised.

What is your favorite saying?

There are so many - I sort of collect them depending on my mood and situation - today ... 'Don't call it a dream, call it a plan'.

Tell us about what’s next…

I don't have any events planned at the moment. Right now just enjoying the peace and quiet of this amazing landscape - planning. Speaking of quiet - currently working on winter aspen painting. It is a diptych - trying to expand my size and scope of the visual experience. I started new series last year - 'Reclamation Project' - (paintings for rock formations and mountains that surround us). The idea is to 'restore' these rocky landscapes using materials they were formed with - clay and pigments eroded over time. I find these pigments down valley, deposited there through its natural erosion process. I recreate these landscapes in the moment they caught my attention.

Stay tuned with Eunika via her website and follow her on Instagram @red_dirt_girl

FEATURED ARTIST: MELISSA TRN

FEATURED ARTIST: MELISSA TRN

Melissa Trn is currently serving as the Interim Producing Director for Telluride Theatre. She’s been working with TT as a costume designer for over 10 years, and finally moved to Telluride full time last June after 9 years in LA. She spent the past 20+ years devoting herself to making theatre, travel, art and her daughter, Sylvia.

We asked Melissa a few questions…

What is your chosen artistic medium?

I've been designing costumes for and making theater for the last 25 years, but any medium that helps a story be told is of interest to me.

Who are your muses?

My daughter, my teachers, and all the creative and brilliant women present in my own life who are trying to make their mark....and also Johnny Cash...

What are your prep or practice rituals to get you into the artistic headspace?

I have a deep meditation and spiritual practice that keeps me plugged in to both myself and the universe. Without the discipline there, accessing my creativity is much harder.

What is your favorite awkward growth moment or barrier breaking time?

I love the moment when I can look at all of the reasons I can't and see them as nothing more than expressions of fear. It's liberating to be able to acknowledge when fear is an obstacle. Once you can name it, you can move through it.

During COVID times, what inspires you and keeps you engaged and moving forward?

We have all gotten an intense taste of the toll that divisiveness, and isolation can take. In the face of that, I believe it is more important than ever to be with each other, to connect, to tell our stories and to be part of one another's stories as well.

What is your favorite quote or saying?

“It is not enough to stare up the steps, we must step up the stairs.” - Václav Havel

Tell us about what’s next:

2022 is a year of healing and change for the world at large. I'm looking forward to facilitating more of both through art. I'm excited to bring comedy and tragedy via the stage with all of the talented collaborators of Telluride Theatre. We can't wait to share this season with you.

See what’s next with Melissa and the Telluride Theater - stay tuned with all the Magic and Possibility at telluridetheatre.org.

FEATURED ARTIST: INGRID LUNDAHL

FEATURED ARTIST: INGRID LUNDAHL

Ingrid Lundahl has been a Telluride photographer since Christmas Eve 1977. Read her story below:

I was the only guest of the new Sheridan Hotel. Once I walked into the historic Sheridan Bar, I knew I had found my people. I chronicled the next 40 years or so of this wild little mountain town: festivals big and small, Rep and Opera House productions, outdoor weddings and portraits, spontaneous and larkish occurrences, such as Unruh in Diapers and Bad Boys on Bike.


What is your chosen artistic medium?

Photography.

I was paid to be a Nashville/Dallas copywriter for seven years before I discovered Telluride. I didn’t seriously revive my writing skill until I created my Telluride Outlaw book, photos and writing both by me.


Who are your muses?

I have always loved the joy and movement within a Lartigue or Cartier-Bresson image. Delightful. Modern day, Annie Leibovitz, though I never wanted to mess with studio lights. And why?…with Telluride as your subject...

I devoured the black-&-white photos in my parents’ LIFE and LOOK magazines.

And my Nashville-era compadre, Dana Thomas, who taught me the magic of the darkroom and the beauty and precision of a manual film camera.



What are your prep or practice rituals to get you into the artistic headspace?

Well, before shooting a seven-hour wedding, I would slam the Ignatia.

Other than that, for candid photography, there is little prep. Grab it while it’s happening.

Though actually, positioning yourself, learning to slither quickly through a festival crowd, avoiding busy backgrounds, even anticipating the shot with the proper lens... that is all part of being a candid photographer.


What is your favorite awkward growth moment or barrier-breaking time?

1986 was a good year for me. I shot many classics then, including Jimmy Stewart, Robin Williams, Madonna.

I got the job of shooting the Film Fest for the LA Times. Upon visiting an ex-Tellurider out there who was a PA for a Madonna video shoot, I got some killer shots and took them into the LA Times. They bought them immediately and said yes, you can shoot the Film Fest for us.

I learned from that score.


During the period of social distancing and quarantine, what inspired you and kept you engaged and moving forward?

I didn’t shoot much. Culling through the archives has been my focus. Editing and identifying all the darkroom proof prints and exposure strips from 1978-2004, that took time. Now you can see the results as the featured installation at Telluride Arts HQ Gallery in December…

I also edited, reprinted, identified, and readied photos of all sizes, both darkroom and digital. These prints are available also at the Telluride Arts HQ Gallery.

I had shot but never printed my image of the Budweiser horses jangling down Main Street.

Clydesdale Christmas • 2002 Telluride is the featured photo of the Telluride Arts exhibit.


What is your favorite quote or saying?

"In truth, fair Montague, I am too fond."

( I was an English Lit major)

Here’s one of mine:

"Photography is a curious combo of logic and magic."


Tell us about your upcoming events, new releases, or anticipated projects:

I am creating a second book. The best of all I have shot. That’s Telluride, yes, but also New Orleans and Ireland and Dallas dazzle, and Santa Fe and many musicians shot elsewhere: Chuck Berry and my all-time best seller: Stevie Ray’s Encore.


Any other details you would like to share?

I am wishing Telluride Arts a Happy 50th Anniversary. The non-profit has burgeoned into a vital and progressive force in the Telluride Arts community. Telluride Arts is a true friend and supporter of the artist. Thank you, Telluride Arts, for this December slot, and for the wonderful 2014 Opening that introduced my photo book:

Telluride | The Outlaw Spirit of a Colorado Town. This book, too, is available thru December at the venerable and lively Telluride Arts HQ Gallery, across from the Library.


Listen to Ingrid Lundahl’s December 2021 KOTO interview: HERE

Checkout her current exhibition at Telluride Arts HQ Gallery: HERE


FEATURED ARTIST: HOTTEA

FEATURED ARTIST: HOTTEA

I am HOTTEA pronounced like the drink hot tea. During my early years of HOTTEA I did typography on fences using yarn. As my work progressed I started doing hanging installations using yarn and site specific installations. I have done installations for clients big and small as well as private commissions. To this day, I still install un-commissioned pieces in public spaces along with my commissioned work.

What is your chosen artistic medium?

I initially started working with yarn. I chose yarn because I wanted the work I do as HOTTEA to be different than the work I used to do as a graffiti writer in the late 90's early 2000's. As a graffiti writer I felt like I was always stressing out about the fact that I could go to jail or get arrested for my artwork. I never felt fully comfortable doing artwork as a graffiti writer. When I started using yarn, I would do my work during the day to make myself vulnerable and to create opportunities for viewers to stop and talk. Over the years I have experimented with flagging tape, doing experimental typography with wood, projections, dance and performance art, magnets as pixels and even spray paint but in a much different way.

Who are your muses?

My muses are typically my family members. Over the years it has grown to involve my close friends and then finally I started doing work about my personal experiences. Currently I am looking to complete strangers as inspiration. I want to start telling other peoples stories.

What are your prep or practice rituals to get you into the artistic headspace?

I am constantly listening to music. I find that music helps calm me down. Each installation has its own obstacles. No one space is identical and sometimes the unknown can be stressful. Music helps with that stress. I listen to alot of electronic music, mostly house. I do love disco, 90s alternative, 90s rap and a little bit of country. One of my favorite musical acts to listen to before installing is Soulwax. They are a mix of electro and alternative music.

What is your favorite awkward growth moment or barrier-breaking time?

Well, that would have to be a non-art growth moment. I mean I have had plenty of moments where I consciously knew I was growing as an artist but one of the most important moments of growth was when I realized I was gay and what role that would play in my life. I was never too confident with my body so figuring out I was gay made me even more self-conscious at first. Over the years, I have come to accept my body and my sexuality and I believe that confidence has helped me in life and also to have a more clear headspace for ideation... so I guess in a way it was a moment of growth for my art as well. I stand corrected.

During the period of social distancing and quarantine, what inspired you and kept you engaged and moving forward?

I have always been extremely self-motivated. You kind of have to if you really want to make it as a full-time artist. Every day during quarantine I worked on projects that could be installed after quarantine was over. I spent a lot of time trying to figure out how to expand on what I have already built with HOTTEA. I started doing more projections and using materials other than yarn. I live in the twin cities, so during quarantine there was a lot happening regarding police brutality. That also motivated me to create more socially aware art and to educate myself more on the topic.

What is your favorite quote or saying?

"Time without purpose is a prison."

Tell us about your upcoming events, new releases, or anticipated projects:

I am currently working on a project where I create typography on other peoples’ garage doors using magnets as pixels. The property owner chooses the word and so, in a sense, I am telling their story via my artwork. It's something I have been wanting to do for a while, to tell other people’s stories. I am also working on a new installation for Miami Art Basel that will be part of the SCOPE art fair and a few other private commissions.

Any other details you would like to share?

I love my partner Aaron. He is one if not the best thing that has ever happened to me.

See HOTTEA’s installation April 5th at the Telluride Transfer Warehouse. Follow on social @hotxtea.