John "Kirk" Drogsvold is a musician and 3D artist based in Telluride, Colorado. 

Kirk plays nylon-string guitar. He improvises the sound of flamenco and samba, a style known as, Alpine Flamenco. To complement the craft of music, he is also pushing the limits of Computer Assisted Design (CAD), CNC machining, and 3D printing through his sculpture installations. His work looks organic and mimics forms found in nature. 

He currently showcases his work at MiXX Gallery in Telluride, in Snowmass, and through an increasing number of private commissions. He was awarded "Best Individual Artist" at Art + Architecture in 2018, and has since been accepted as one of 35 designers worldwide to participate in Wanted Design Launchpad in Manhattan this May. He is currently preparing to show work in Austin, Texas, and NYC.

We asked Kirk a few questions:

Spirit Animal: Octopus

Happy Place: Setting off on an adventure!

Favorite Job: Artistic Risk Taking

Mountain or Ocean? Mountains

Trail: Sneffles Highline

Inspiration: Aspen Trees

Movie: O brother where art thou

What's Next?: Just an endless commitment to creating as beautiful and big as possible





Born and raised in northern Illinois, Emily’s artistic quest began as early as her love for the woods, nature, and their quiet sense of connection. Twenty nine years later, this cocktail of passions has matured into the backbone of her existence. From the Midwest, to New England where she achieved her BFA in painting and a greater appreciation for the outdoors, to Colorado where these life-long pursuits find a growing sense of harmony and potential, Palmquist continues to practice painting and the art of rural life as her guide from here to there. Emily just moved back to Colorado and is showing her work for the month of March in Gallery 81435.

We asked Emily to answer a few questions:

Flavor? Honey, Honey

Favorite city? Chicago, as it played a large part in bringing up the artist in me as a child, taking the train in to dream with my old friends at the Art Institute and memorize the streets that I then envisioned playing some part in my future.  Alas I haven’t devoted enough of my adult life to exploring city life to haven't found one to replace the special fascination, anticipation, and beckoning that Chicago once filled me with.

Currently reading? Just finished “A Glimpse of Nothingness” by Janwillam van de Wetering.

Recent dream? Set in the middle of a harvested field of corn, two boats of different shapes towing in opposite directions, but tied to one another and held still.

Inspiration? The constant transformation of a landscape, a personal search for balance in all things, painting for someone or with someone in mind.

Fascination? Chickens! Everything from the morning a hen lays her first egg (and what color it is?!) to the social standing of a rooster, I find it all so theatrical. They are such fragile creatures, yet regularly offer up the utmost example of resilience. I have learned so many lessons from keeping a flock where I can.

Show? I have never been so excited to share a body of work. While a couple pieces were near finished or in progress when I signed up for this show last November, the majority were started and finished in the last three months. Asking myself to produce this quickly demands a level of focus as well as detachment. There isn’t a lot of time to second guess or even premeditate. I’ve let one thought lead to another, left myself open to whatever dreams or memories chose to stick, and the result is “Home Fire.”

San Juan activity? While I cherish hiking and the incredible trail-riding I’ve done in the area, I have to say living on the mesa is my biggest connection to this land. It is truly a gift to have such a front row seat to nature’s display.

Recent endeavor? I moved back to Colorado this fall after spending a random year and a half in Connecticut. I bought a small utility trailer off Craigslist to haul my damn stretcher bars and studio furniture. My best friend since second grade flew out from the Midwest to help me, my dog, and two cats make the drive. She kept the critters calm while I manned my 35-year-old Jeep Cherokee. At the end of each day, we smuggled the animals and a litter box into the backdoors of hotels, jay-walked until we found margaritas, and longed for the hot springs of Colorado. We cried we laughed so hard. I slammed the hood too hard and had to ratchet-strap the sucker down in a snow storm. The jeep nearly gave up its ghost on every mountain pass. Alas we rattled up the mesa road and made history together.

What's next? I’ve already got new paintings in mind. With all of this momentum, my instinct is to just keep painting. But I am also looking forward to sheering off my mesa hermit hat and enjoying a more social and adventurous spring and summer. Perhaps a bit a both.





This month, Telluride Arts proudly features long time local, Scrapple star, KOTO host, Geoff Hanson as the Featured Artist of the month. Get a glimpse of Geoff through his answers to a few questions we asked him:

Early Telluride Memory:
I walked into the Telluride Times Journal in December 1990. I had only been here a few weeks. I showed the editor Marta Tarbel an article I wrote on The Neville Brothers in college and told her it was a sample of my work when it was in fact the only article I wrote in college. She told me Rasta Stevie was heading out on the road with his Reggae band 8750 and asked me if I would like to write the column while he was gone. I’ve been writing about music ever since.
Book: The Alchemist, Paolo Coehlo, (if room for more…) The Universal Baseball Assoc., Robert Coover, Jitterbug Perfume. Tom Robbins, The Summer of 49 David Halberstam, The Art of Fielding Chad Harbach, The Brothers K , David James Duncan, The Confederacy of Dunces, Soldier of the Last War Mark Helpern
Favorite Moment on Set; We were shooting our fictional pig roast in Ophir and we were a little light on extras. I asked, “Is there anything going on today{that would explain why there were so few etras}?” And someone replied. “There’s a {real) pig roast happening in Ilium.” We went down there and shot some footage including the shot of the pig on the spicket that appears in the film– no animals were hurt doing the shooting of “Scrapple.” Life was imitating art. As filmmakers, we saw ourselves as conematic miners, trying to hit the vein of ‘70s life in Telluride and that was the kind of moment that affirmed that we were hitting the main line. People who were here in the ‘70s pretty much all say we nailed it.
Song: “Further on down the road” by Taj Mahal. It was the song I had in my mind when I sat down to write “Scrapple” – a guy riding a motorcycle with a pig in the sidecar set to that song. I also produced a version of it with Taj and The Phantom Blues Band that I think stands up to the various versions of that song.
Morning or Night: The first cup of coffee is the best part of every day. Other than that, night.
Favorite Interview: My favorite interview was the one I did backstage at the Bill Graham Mid-Summer Music Festival in 1991 with Taj Mahal. I was in a room with four other journalists in a panel kind of setting and it was clear none of the other people knew anything about him. It became a conversation between Taj and me and we really connected. It was the beginning of a very meaningful relationship.
Favorite Show: If I had to pick a single show in Telluride it would be Pearl Jam at The Ride in 2016. Here’s a Telluride Top 10 I put together, of a column and when you look it, you can’t help but be blown away by the quality of music we get in Telluride. 
1. Pearl Jam, 2016

2. Allman Brothers, 1991 

3. Neil Young, 2016 

4. JJ Cale, 1994 

5. Robert Plant, 2018

6. Steve Winwood, 2014/2017 
7. The Band, 1994 

8. Johnny Cash, 1997 

9. Sturgill Simpson, 2018. Widespread Panic, Little Women and Blues Traveler, late night show at the Sheridan Opera House, 1991 

10. Gregg Allman/Sharon Jones, 2015
Favorite View: I love the way the mountains change as your perspective changes. For instance, when you look at Wilson from the ski area, Lizard Head is on the left. But from other vantage points, it appears on the right. I love the way light and clouds change Ajax every day, and the way sunsets light up the Wilson range. I love driving down Keystone Hill and Wilson and Sunshine appear on your left and then they disappear. You can live here for decades and see the mountains differently every day.
Inspiration: Creativity  





Ally lives and works in Ridgway, Colorado. She grew up back East in New York. She loves art, mountains, her family, yoga, and figuring out how to be a human being. She works as an artist, yoga teacher, and free-lance graphic designer.

A note from the artist:

Painting is how I can best tell the truth. It is a messy unpredictable process for me.  When the flow is happening, I know I’m supposed to paint. When it’s not, it’s excruciating. I’m learning to paint regardless and wait for the moments that it makes sense in, and just ride the rest of them out. I’m also learning to do this in my life. Art has to surprise me in some way for it to interest me.

MOONS show is hanging at Telluride Arts Headquarters, December 2018/January 2019. The show was inspired by a painting she did for Little Red Riding Hood, Pink Moon.

We asked Ally to answer some questions:

Beach or mountains? both!

Film? Sound of Music

Currently reading? Becoming

Inspiration? moons

Color? red

Happy place? yoga mat

Daily ritual? coffee

Holiday tradition? pajamas all day



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Tony fuses gold and silver in his jewelry. He mainly uses 18k, 22k gold and sterling silver. The fusing technique creates a beautiful organic texture as well as a beautiful contrast of colors. Tony is very excited to teach more jewelry making and metalsmithing classes at the AhHaa School in Telluride. He is currently taking jewelry and metals related classes and workshops in order to diversify his offerings. "I truly look forward to learning more myself and passing this on to students".

This month, Tony created a specific piece of jewelry for the Telluride Arts District. This piece is a silver representation of a beautiful window in the Transfer Warehouse that overlooks Mount Emma to the north.

We asked Tony to answer some questions:

First job? Usher at a movie theater. Does this job still exist? 

Time of Day? Morning, between 6:00 and 7:00 am. 

Musician? I own guitars and play them although I don't consider myself a musician yet.

Trip? Yes, I followed the Grateful Dead for ten years.

Telluride Tradition? Blues and Brews, it's a family thing.

Mountain? Alpine glow. 

Concert? Rush 1984, from that point I was hooked on live music.

Food? I love food. Always cook for yourself, family and friends any chance you get.

Project you’ve worked on? Re building some of the structures near Alta lakes sometime in the 90's.

Motto? I love the life I live and I'm gonna live the life I love.

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Malarie Reising Clark moved to Telluride seven years ago to pursue the ski bum & barista lifestyle after college and gallery internships on the east coast. Her photography and art history degrees led her to the Telluride Gallery of Fine Art where she has recently become the Gallery Director. She enjoys analog photography, cooking, snowboarding with her husband and hanging out with her cats Pixel and Bits.

We asked Malarie a few questions:

1) Ice cream flavor?

Peanut butter and Nilla wafer shake from Cookout.

2) First job?

Photographer at the Biltmore Estate in Asheville, NC.

3) Favorite saying? / Motto?

"Photography is just light remembering itself."  -Jerry Ueslmann and "Machu Picchu" for good luck.

4) Performing artist?

Over the past year, Robert Plant and Minus the Bear take the cake. 

5) Happy place?

Whiteroom on chair 9, darkroom anywhere.

6) Favorite exhibit at Telluride Gallery of Fine Art to date?

R. Nelson Parrish's Light in the Canyon this past June is really close to me, he is an emerging sculpture artist whose work deserved a solo show. It was thoughtful, stunning and the response was fantastic.

Non-Objective last December was very special. It opened my eyes to the new type of curation we are diving into at the gallery. I felt like some of my personal long term goals were being realized as we were doing studio visits and interviews with those artists.

An all time big favorite is working with iconic photographers that I obsessed over in college; Jerry Uelsmann, Sandy Skoglund, Maggie Taylor, Lauren Greenfield, Ruth Bernhard, Dan Budnik, Paul Nicklen.

7) Telluride tradition?

Closing day craziness. Doing the pond skim is still a highlight of my Telluride career (I came out dry).

8) Describe your work as an artist

My photography work is film based. I shoot polaroids as a kind of sacred documentation of time and place, I think of it like anti-cell phone photography because I will only make one or two images at a location. I also shoot altered and manipulated landscapes on 35mm. These are all multiple exposures created in camera that, to me, are more immersive and capture the feeling of being in awe of a landscape... plus they are a little trippy and saturated with color.  

9) How did (question 8) start out?

Mostly nostalgia. I grew up around my mom always shooting film. I loved loading her cameras and waiting on film to be processed. In college when I studied photography, everyone had the newest and best digital cameras. I thought a lot of the work started to look the same. I got into medium format film, expired 35mm and buying vintage polaroid film on ebay. I liked the physicality of creating tangible images and the extra elements of craft that go into that. 

10) Most looking forward to?

Continuing to bring interesting, challenging, high caliber artwork into Telluride. Upholding Telluride Gallery's legacy while starting a new chapter. Playing with my Super 8 cameras. El Nino.





Macy's true love lies in craft. In creating small little sculptures out of leather and fabric that can be used as bags for everyday use. As she developed and cultivated her skill-set on each custom piece, she became more passionate about teaching and sharing her knowledge with others. In 2017, Macy teamed up with BeadWORKS, and traveled to Kenya to teach an entire leather curriculum to add high end beaded leather goods to their already established line of products. As the popularity of these new leather belts, dog collars and hat bands hit the market, she traveled back again in 2018 to add more products to the line. In February 2018, Crossbow Leather moved from Santa Barbara, to Macy's hometown, Telluride, and opened up Crossbow Leather on Main.  The shop offers a truly unique experience of retail in the front, and a workshop in the back. With all the production happening right there in the shop, you can experience the craft first hand, see products come to life, and meet the people hand crafting each piece.

We asked Macy to answer a few questions:

Winter or summer? at this moment- winter! I spent the past 4 years in Santa Barbara where it was hot & sunny beach weather nearly everyday, so I am looking forward to a solid winter (fingers crossed). 

Favorite thing to do in Telluride? just about everything... indoors.

Cats or dogs? WOOF!

Go to coffee order? Shot in the dark

Dream vacation? anywhere with market places I can shop textiles to put on my products. I love meeting and getting inspired by other artisans.  

First job? I worked on a converted pizza firetruck catering birthday parties and Bar Mitzvahs 

How did you get to where you are today? saying yes to things that scared the sh*t out of me.

Favorite part of your job? putting all orders aside, clearing my work bench, and prototyping a brand new product. When I finally get around to doing this, it is usually something I have been thinking about for months, so it is very exciting to make the time to just create whatever my heart desires.

Biggest inspiration? geometry? how things are built! how to put things together! measurements, angles, designs, patterns. I also love old stuff- vintage furniture and buildings. Back then there was such an emphasis on quality. Before things became mass produced. I'm happy the patterns of consumer culture have shifted back to caring about small batch production & shopping local.





Don first moved to Telluride in 1978 and became a Flying Epoxy Sister. He then moved to LA, inspired by the films at the Telluride Film Festival and the Second City Theater in Chicago while growing up. He received his SAG card as Surfer #2 in the 1984 film, “A Nightmare on Elm Street” and began working behind the camera that same year joining the DGA and directing Music Videos, Commercials, Documentaries and Narrative Shorts. He is the lead actor and Executive Producer of “The Landing”, a feature film releasing in theaters nationwide this month, and on Netflix, Amazon Prime and Netflix in October.

We asked Don to answer a few questions:

Favorite Book
It is so hard to name a favorite, so here are a few;
Fiction; The Dice Man by Luke Rhinehart / The Hawkline Monster: A Gothic Western by Richard Brautigan
Non-Fiction; The Night Country by Loren Eiseley
Poetry - The Complete Works of Edgar Allen Poe
Childhood memory
Summer - Riding on my fathers horse, Silver Loon.
Winter - The first time I went skiing at Wilmot mountain Wisconsin. Difficult to call it an actual mountain now…

Happy Place
Cold - Anywhere skiing.
Hot - Anywhere kiteboarding
Warm - Cruising on my Onewheel Skateboard...

Dream Car
1958 Porsche 550 Spyder.

"People ask what are my intentions with my films — my aims. It is a difficult and dangerous question, and I usually give an evasive answer: I try to tell the truth about the human condition, the truth as I see it. This answer seems to satisfy everyone, but it is not quite correct. I prefer to describe what I would like my aim to be. There is an old story of how the cathedral of Chartres was struck by lightning and burned to the ground. Then thousands of people came from all points of the compass, like a giant procession of ants, and together they began to rebuild the cathedral on its old site. They worked until the building was completed — master builders, artists, laborers, clowns, noblemen, priests, burghers. But they all remained anonymous, and no one knows to this day who built the cathedral of Chartres.
Regardless of my own beliefs and my own doubts, which are unimportant in this connection, it is my opinion that art lost its basic creative drive the moment it was separated from worship. It severed an umbilical cord and now lives its own sterile life, generating and degenerating itself. In former days the artist remained unknown and his work was to the glory of God. He lived and died without being more or less important than other artisans; 'eternal values,' 'immortality' and 'masterpiece' were terms not applicable in his case. The ability to create was a gift. In such a world flourished invulnerable assurance and natural humility. Today the individual has become the highest form and the greatest bane of artistic creation. 
The smallest wound or pain of the ego is examined under a microscope as if it were of eternal importance. The artist considers his isolation, his subjectivity, his individualism almost holy. Thus we finally gather in one large pen, where we stand and bleat about our loneliness without listening to each other and without realizing that we are smothering each other to death. The individualists stare into each other's eyes and yet deny the existence of each other. 
We walk in circles, so limited by our own anxieties that we can no longer distinguish between true and false, between the gangster's whim and the purest ideal. Thus if I am asked what I would like the general purpose of my films to be, I would reply that I want to be one of the artists in the cathedral on the great plain. I want to make a dragon's head, an angel, a devil — or perhaps a saint — out of stone. It does not matter which; it is the sense of satisfaction that counts.
Regardless of whether I believe or not, whether I am a Christian or not, I would play my part in the collective building of the cathedral”.
Ingmar Bergman 1918 - 2007

Memory on set
Watching Penny Allens’ performance as Mrs. White in my film “A Visit from the Sargent Major with Unintended Consequences”. Staggering. I wish I had shot the rehearsal, and from then on, I always have if possible.
Watching Snoop Dogg crush after getting my entire crew baked while directing him in a music video, then demanding 50k in cash when we rapped. Classic rap video move.
How 'bout a Sanskrit Proverb as a motto?
Look to this day,
For it is life,
The very life of life.
In its brief course lies all
The realities and verities of existence,
The bliss of growth,
The splendor of action,
The glory of power—
For yesterday is but a dream
And tomorrow is only a vision.
But today, well lived,
Makes every yesterday a dream of happiness
And every tomorrow a vision of hope.
Look well, therefore, to this day.
Secret talent
Hypnotic power over hiccups.

Best Advice: given/received
Show up on time.
Show up on time.
What's next?
I don't know the question, but sex is definitely the answer.
In Production;
Chinna and the Fruity Loopers - Documentary Feature
RockStars - Reality TV Series
In Development;
FUNK is a Four Letter WORD - Documentary Feature
Mary Celeste Move - SciFi Feature
Caribe - Feature





With her forthcoming album Traveling Mercies, Emily Scott Robinson offers a complex, thoughtful portrait of a real itinerant artist, one who carries the lessons of her past as she searches for a hopeful future. She and her husband live full time in a motorhome and spend long stretches on the road, turning chance encounters with strangers into stirring folk meditations on the human condition.

Though this is Robinson's first proper studio release (having already released a full-length album, Magnolia Queen, and a live EP), it's by no means her first introduction to the songwriting community. 

In 2015, she won American Songwriter's May/June lyric contest for Magnolia Queen cut "Marriage Ain't the End of Being Lonely." She followed that award with two more, notching a Kerrville New Folk Winner trophy in 2016 and a Wildflower Performing Songwriter Contest win in 2017. In an early nod to Traveling Mercies, AmericanaFest announced Robinson as an Official Showcasing Artist for the 2018 lineup in Nashville this September.

With Traveling Mercies, Robinson has announced herself as one of our important emerging voices in Americana and roots music. Beyond that, she's given us a beautiful album, a balm for trying times which shows, through intricately crafted melodies and hard-earned wisdom, that we all have the same struggles at our core, and there's no better time than now to take that to heart.

We asked Emily some questions:

Favorite ice cream?  Mint Chocolate Chip

First job?  Summer Camp Counselor -- I started singing and playing around campfires and learning Indigo Girls and Cat Stevens songs!

Currently reading? "Eudora Welty: A Biography" and Isabel Allende's "In the Midst of Winter"

What do you love most about Telluride? The creative community! Telluride Theater, Telluride Arts, Telluride Music Company (constantly drooling over guitars there) and my musician friends, the Ah Haa, Burlesque, the community of poets that Art Goodtimes and Rosemerry Wahtola Trommer nourish, Wilkinson Public Library, and the big-hearted and visionary people who live here! 

Spirit animal? Salmon.

Recent dream? I've been working on my new album release, so I keep having anxiety dreams about forgetting a deadline!

Who/what is your musical inspiration? My very first musical inspiration was Joni Mitchell. I was given her album "Blue" at age 16 and I felt like I'd discovered a new language. 

Favorite part about RV life? Exploring the beautiful and wild places of America

Favorite RV memory so far? Parking it on Sunshine Mesa and inviting our Telluride friends over for a dinner party and to watch the sunset over the Wilsons!

What’s next? The first single "Better With Time" from my new album drops on August 3rd! It's an homage to falling in love with my husband in Telluride. On August 17th, I'm a finalist in the Songwriter Showcase competition at Folks Fest put on by Planet Bluegrass! In September, I'm headed to Nashville to showcase my new album Traveling Mercies at AmericanaFest!





Colin holds a B.A. in theatre arts and a Master’s Degree from Fordham University in teaching.  He has trained as an actor in the Actor’s Theatre of Louisville’s professional apprenticeship program and the Michael Chekhov Institute for Theatre Studies. He moved to Telluride in 2008 and almost immediately discovered SquidShow Theatre’s unique brand of original theatre. Within a year, Sullivan was a full-fledged company actor and had taken over the Managing Director position, overseeing the fiscal management of the company. Upon the merger of the two companies in 2011, Colin was chosen by the board to lead the larger united Telluride Theatre organization as Executive Director. He also acts and is a lead instructor and developer of the company’s unique education programs.

We asked Colin to answer some questions. Get a glimpse of Colin in his answers below:

Ocean or mountains? Ocean

Sweet or salty? Sweet

Morning or evening? Evening

Person from history to be your imaginary friend? Hunter S. Thompson

One thing on a deserted island? Mountainbike 

Favorite Telluride tradition? Shakespeare in the Park! 

Inspiration? Personally, I’m inspired by ordinary everyday Americans, particularly immigrants, pushing back against their government and this recent rash of unconstitutional policy decisions. Professionally -  poetry and the role of songs in storytelling, particularly as it relates to our Shakespeare’s Pericles, which I’m currently directing. 

Something you could re-watch as if it were your first time: The Muppet Movie

Recent Dream? I had a dream I was performing in Macbeth and didn’t know any of my lines and had to improv everything. Orson Welles was directing and he was not pleased. It was terrifying. I have these dreams every time around this year. 

Happy place? In my new home in Placerville with my wife and young son, or on stage.